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The Process Of Film Scoring Part 2 Of 6


Richard solon from the Berklee College of Music presents at the New Mexico Filmmakers Conference in March 28, 2008. Sponsored by the New Mexico Music Commission. Composer for ROBIN HOOD, PRINCE OF…




10 Comments to The Process Of Film Scoring Part 2 Of 6

  1. thesynthmaster92's Gravatar thesynthmaster92
    February 2, 2010 at 3:21 pm | Permalink

    While I am watching this videos my desire of becoming a music score and a componist for that increases permanently.Where is the best place to study that and how to prepare for the admission examination? if there is one? Thanks in advance

  2. johnny102marvin's Gravatar johnny102marvin
    February 2, 2010 at 3:35 pm | Permalink

    TEMP TRACK: An easy temp track can be made with Magix Music Maker 15…soundspool #15

  3. UTAOUB's Gravatar UTAOUB
    February 2, 2010 at 4:13 pm | Permalink

    Video s great! But convrsation btween LesFarington, Dillon et al just as good…2 me…bcause these r questions I also want to ask! Any teaching software u can reommend? (I’m far from NY or Hollywood, no car, hard 2 get out. But I have 3,000 unpublished melodies! How do I get going???? Software, school recommendations? (I’m in Colorado)

  4. dbocaz's Gravatar dbocaz
    February 2, 2010 at 4:55 pm | Permalink

    For software, have you tried Finale? UNC – U of Northern Colorado is worth checking out and UC Boulder.

  5. sgste's Gravatar sgste
    February 2, 2010 at 5:05 pm | Permalink

    I compose music for my own films.I find that I don’t have to know much, because I use a keyboard to imitate all the instruments I wish to use. Editing is hard without the best software, though!

  6. DillonB1234's Gravatar DillonB1234
    February 2, 2010 at 5:31 pm | Permalink

    yeah I would like to start doing that as well, but yes you’re right it’s hard to line the music layers up right without the right software. What do you use?

  7. niggerfuckshit's Gravatar niggerfuckshit
    February 2, 2010 at 5:35 pm | Permalink

    shut up

  8. drummtb333's Gravatar drummtb333
    February 2, 2010 at 6:25 pm | Permalink

    do you mean you have to know how to transpose parts and stuff?and you have to have knowledge of the ranges for instruments like a c# on a sax is the ugliest note there is.

  9. rbnserra's Gravatar rbnserra
    February 2, 2010 at 6:44 pm | Permalink

    With the same respect, not I have only listened to the Planets, I conducted them in 3 occasions. I am just making the point that you hear Star Wars, first time, 1977, and you never listened nothing like that before, except for Holst. And everything comes from something previous…

  10. rbnserra's Gravatar rbnserra
    February 2, 2010 at 7:39 pm | Permalink

    (cont) Mercury is present in all fast movements (also reminds Britten or Wagne’s Parsifal, moving the same melody between instruments). You are right in Stravinsky, well spotted. Apart from that, he is not playing “the card”. This conversation between Lucas and Williams is well documented.

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